VIII.
Acrylic and honey on canvas
540 x 720 mm
2025
This painting started with drawing hexagons.
I often use the ruler, compass and stencils
to make geometric shapes that can be useful
in guiding a composition. I found that by
stretching the shape, it resembled a windmill
blade. As the shape appears in nature in the
form of honeycomb, and its association with bees,
I thought of the idea of a “honey mill”. This is
where the name “Mellifica” comes from as it means
“honey maker” in Latin.
I imagined a mythical friend of the bees.
She is standing tall and watching over
them. Her golden hair turns into honey
as it flows down the hillside. I added a
small amount of honey to the yellow paint
mixture. The land below her takes the form
of snail medic, a legume foraged by pollinators.
The plant takes its name from its resemblance
to a snail shell. From looking at reference
images, I drew the cascading shape of the legume
and included the glandular white hairs that can
appear on the stem and leaves.
I placed hexagon shapes around the central figure,
which I then turned into bee boxes with some shading.
I made a stamp out of bee’s wax sheets for candle making.
I used this stamp to apply the paint to the windmill
blades which are finished with gloss to contrast
from the rest of the painting. The structure of the
windmill is more pronounced in the pencil sketches,
however in the final painting, the windmill blades
are more abstracted and used to inform the the organic
lines of the background sky.